Social Media & Digital Marketing in Singapore

“Endangered” Newspapers – Are Journalists Part of The Problem?

Friday, February 13th, 2009

Diane Tucker of the Huffington Post picked up an old article of mine where I had basically said there was close to nothing papers could do to get me to read them (at least physical copies) because of how easy it is to either find, or be pointed to, news online.

One very valid rebuttal from the comments (and indeed, one that Diane Tucker alludes to in her post) is that mainstream newspapers need to be around to publish news online in the first place, in order for us to be pointed to them. Additionally, the advantage of the papers is the depth and analysis that can theoretically be reaped, which can offset the speed of online news.

All good in theory, but I still have an issue. Yesterday there were two people who were talking about how they were interviewed by mainstream media, and how what they said were either taken out of context or edited in such a way that their original points weren’t made in the original manner.

First of all, let me say, I get it. That’s their job. No one wants to read about a “fine and dandy” newspaper piece. If that’s the tone of the article, somehow it’s in the journalists’ interest to try their best to switch things around and make it more “newsworthy”.

But here’s the thing: As more and more of these instances happen, and more and more of the people interviewed use the internet as their “channel” to get their side of the story out, how much beating will journalists (and by extension, newspapers) credibility take?

How long will it be before all of us being interviewed bring along a Flip cam to record the entire interview, and then repost that online as raw footage to capture the essence of what was said, and use it as a comparative study with the shadow of that essence that journalists twist it into? It is already so easy to create original content and post it up online, and can only get easier as technology improves. Will this have to be the new way of “fact checking” the media?

How many of us, who will be communicating with the media in five, ten, fifteen years, will have unpleasant instances with journalists, combined with the rise of digital media and distribution (yes, it will happen), and begin to avoid the journalists whenever possible?

How many journalists will continue to, for the sake of a “story”, mold their “angle” at the expense of a good, professional relationship with the person at the other end of the interview?

How long before this we see a “blacklist” of journalists guilty of consistently shaping a story to suit their angle, and use that as a warning system to other communication professionals a la Chris Anderson’s PR blacklist?

Of course, I don’t write this post saying everyone in journalism acts this way. As with every profession, there will be the irresponsible and the responsible. Fortunately (or unfortunately, for journalists), that industry is one that is under scrutiny right now, and such acts are not as easy to get away with.

I’ve had great newspaper articles in which I was quoted as a source, and I would not hesitate to help when such a relationship is built on trust, but the more I hear about people being disappointed about how journalists have twisted their words, the more I feel wary about journalists I don’t know.

It’s not about control of the message anymore. In a few years, when it’ll be easy enough to set up a [Company X] channel, it might not even be about reach anymore. The temptation of bypassing mainstream media channels can only grow, and how responsibly or irresponsibly the mainstream media “gatekeepers” act, may well be a determining factor on how big or small that temptation is.

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Links For The Week: 20th October

Monday, October 20th, 2008

Oh so much good stuff this week from my favourite writers. Let’s get right to it!

Plurk

I’ve talked so much about Plurk, I really hope you’re on it by now! Make Use Of tells you how to become a star in the Plurk Universe. Nothing groundbreaking, but it’s a nice read, especially for those thinking about signing up. (ps: Don’t forget to add me as a friend too).

Recession Opportunities

It’s the wrong move, but ad spend, marketing and PR are the first things to go when budgets get cut, especially in recessions. Which means it’s never been a better time to look at social media tools as a great alternative.

Christopher Penn (of the Marketing Over Coffee podcast) gives us opportunities and predictions for the recession and Chris Anderson of the Long Tail tells us what the recession meant for “free”. I would pay attention to the “freemium” model, which isn’t yet hugely popular back home.

Twitter

In those small pockets of time that Plurk is down, some of us still go over to Twitter, and Brian Solis gives a great rundown of tools available, which is worth reading if you’re using Twitter for business or community management. (ps: I’m on Twitter too)

Community Management

Speaking of community management, Corvida over at Shegeeks.net recounts her lessons as community manager for Read Write Web. Most important for people thinking they’re community managers, “Everyone wants to be our friend” is a very terrible misconception. Get with the programme.

Word Of Mouth

Andy Sernovitz aka the word of mouth guy has a post called “Give away your buns” which brings home the lesson: “Every spoiling asset is a marketing tool”. I’ve seen this – or rather the lack of this – at work too many times. It’s time for companies to start utilising word of mouth more effectively.

Did you read anything mindblowing this week? Would you care to share? Share it with me on Delicious.com, or post it in the comments below! Did you find the links useful? What type of links would you like to read more of? Love to hear from you as well.

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Did Marketers Ever Have Control?

Saturday, March 15th, 2008

Thinking about my Snapfish posts and the whole debate going on about whether or not we as marketers or communications people should be comfortable with using social media for business because taking that leap requires giving up a large portion of control to your consumers or the general public.

Name-dropping in history

Sticking just to music, bands that existed before or just when the internet came into existence did name-drop brands. From LFO (Abercrombie & Fitch), Barenaked Ladies (Snickers), Run DMC (Adidas) and recently, Melee (JetBlue). (Here’s a good list of brand names appearing in songs)

Though product placement is gaining popularity now, it certainly wasn’t in the early ’90s, though Abercrombie & Fitch enjoyed some market growth and Run DMC was eventually approached to be Adidas’s spokesperson.

Prior to the internet, unless you were one of those bands or maybe Oprah, what you thought about a brand would not grow larger than conversation at the bar.

What’s Changed: The Ants Have Megaphones

Borrowing the phrase from Chris Anderson’s book, The Long Tail (brilliant book), the ants have megaphones. The democratisation of media means that anyone can be a critic, a brand advocate, or a “journalist”. Because of that, your brand isn’t what you say it is. It’s what Google says it is. Given the long tail of bloggers, reviews, youtube videos and the like, a search for your brand could turn up negative reference (Dell Hell anyone?)

I don’t think marketers ever had control. But now they have to sit up and deal with the fact that many “ants” collectively can affect a brand (for better or worse), and we’re not as easy to deal with compared to offering a spokesperson contract to Run DMC. We want honest and open company dealings and we will take companies to task for failing to do so.

In short: our conversations are not restricted to bar talk anymore, and it would be folly for a company to ignore it.

Positive or negative brand experiences with social media? Let’s hear it! (Don’t worry, I don’t think you’re ants!)

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Bookshelf For February

Monday, February 4th, 2008

I picked up a couple of books at Borders over the weekend:

NewBooks
  • Quirkology by Richard Wiseman – been wanting to pick this up for a long time. Wiseman explores some interesting behaviors like why we wouldn’t think much of a $15 discount on a $20 item, but might do so for a $15 discount for a $90 item, even though the absolute value is identical
  • Starbucked by Taylor Clark – supposed to be a good read.
  • Wicked by Gregory Maguire – didn’t get to watch the Broadway show in New York, so I’ll make do with the next best thing
  • Purple Cow by Seth Godin – I’ve read numerous things by Seth, Meatball Sundae, Small Is The New Big, All Marketers Are Liars, but it’s time for the book that started it all, centered around a simple premise: Be Remarkable.

I’ve also started on The Long Tail by Chris Anderson. This has been on my shelf for a long time, about time I got started on it.

add to del.icio.usDigg itStumble It!Add to Blinkslistadd to furladd to ma.gnoliaadd to simpyseed the vineTailRank

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Why Avenue Q Should Be Free, At Least Online

Wednesday, January 30th, 2008

I was talking to Wanida online yesterday and telling her I really enjoyed Avenue Q, so she asked to borrow my soundtrack. I initially said no because she should watch it in person! She countered by saying that hearing the songs, will further increase her interest to catch the next time in New York. I realised that was pretty much the same for me: listening to Les Miserables on cd on an almost-daily basis when I was young made me really want to catch it when I first flew to New York to see how the scenes I imagined in my head played out on stage.

With that in mind, I went to the website to find a song or video clip to show her, but the only clips on the official site were 29 seconds long (featuring a cast who isn’t even performing anymore), and those on youtube are secretly filmed in the theatres.

So how in the world does someone in Singapore get an actual sample of what Avenue Q is about?

First of all, let’s establish that Avenue Q does a great job with traditional marketing. There are huge billboards in Times Square with really funny, provocative advertisements. That works fine if people are living in the United States and are exposed to it.

However, Avenue Q is never going to go to certain countries like Singapore and others because it’s controversial and we’re conservative. When Singaporeans (and perhaps most tourists) visit New York, the tendency is to catch the newest show (Is He Dead?), the hottest show (Wicked) or the sold-out-for-ten-years show (The Lion King). Given that there are easily 20-odd theatres with musicals at any one time, how does a show like Avenue Q get the average tourist to consider their show instead? (And hey, before you think Avenue Q isn’t any good, they won the Tony over Wicked).

My solution is to release full length audio and video clips for download and/or streaming. Before you get up from your seat and go “What? Those seats go for a hundred bucks!”, hear me out.

This will enable people to really sample what the show is like, get the show some exposure, and if they ever make a trip over to the United States, you can bet that in addition to Wicked and Lion King (which will probably be sold out anyway), they’ll have Avenue Q in mind as a possible Broadway musical to catch as well.

Why full length audio? Avenue Q has an advantage in that it has absolutely brilliant and attention-grabbing song titles. Imagine seeing a friend listening to “The Internet Is For Porn” or “It Sucks To Be Me” on MSN or Last.fm, that is definitely going to generate interest, which can translate to word of mouth and eventually, ticket sales.

This concept of distributing certain bits of a product for free isn’t new. I first read about it in October when Chris Anderson gave away a chapter of his book, Mitch Joel at Six Pixels of Separation has also explored How to make money by giving something away for free.

Joseph Jaffe also has a new initiative UNM2PNM (that’s Using New Marketing To Prove New Marketing) by giving away 150 copies of Join The Conversation, as long as the recipients give an honest review of the book. I’ve applied for a book, hopefully geographical restrictions allow for it to happen.

Finally, let me say that I’m providing a fairly simplistic view of Avenue Q’s distribution. I don’t know what the legal scene is like and if this is actually possible. But if it were, this would be something I’d do straightaway.

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